⁕⁕⁕⁕⁕⁕⁕⁕
☆☆☆☆☆☆☆☆
Drama /
Actors Noémie Merlant /
Release date 2019 /
Countries France /
122 min /
resume France, 1760. Marianne is commissioned to paint the wedding portrait of Héloïse, a young woman who has just left the convent. Because she is a reluctant bride-to-be, Marianne arrives under the guise of companionship, observing Héloïse by day and secretly painting her by firelight at night. As the two women orbit one another, intimacy and attraction grow as they share Héloïse's first moments of freedom. Héloïse's portrait soon becomes a collaborative act of and testament to their love.
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A lot of the comments its about Adèle. What about Noémie.
Is Noémie Merlant gay.
Portret kobiecy w ogniu muzyka.
4:50 CRINGE 😬😬.
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This is my favourite scene.
So who can tell me what they are talking about.
Filme belíssimo.
The fact that they wear black clothes and white shoes together is just so cute 😍.
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Sorry this film just doesn’t work AT ALL. So slow paced and uninteresting. No drama and no conflict=bored out of my mind. Bye.
Portret kobiecy w ogniu raczek.
Magnifique.
9:30 – 10:12 the turning point when the student becomes the master. Heloise was actually studying Marianne more to notice small details. Only the ones we love take time to care about small details.
If Ingmar Bergman was a French woman and made YA movies, then you would get the director of Portrait of a Lady on Fire.
Portret kobiety w ogniu multikino.
Céline Sciamma tu es brillante ! J’ai aimé chacun de tes films comme chacune de tes démarches artistiques à travers eux. Ton cinéma a vraiment marqué ma jeunesse et continue d’inspirer ma vie de jeune femme. C’est un cinéma sensible, intelligent, émotionnel, élaboré, profond, un cinéma du beau qui dit aussi bien d’autres choses mais les sublime en toute simplicité.
This movie is a French period piece and it tells the simple tale of a female artist commissioned to paint the future wife of a Duke. The artist travels to the woman’s seaside place of residence and the movie covers the period of the painting of the canvas and the initially touchy, but ultimately loving, relationship that develops between these two young women.
The setting is intimate, the cast is small, and the plot is almost wafer-thin. The pace is almost painfully sedate, but one gradually becomes accustomed to it, and to appreciate the opportunity to soak in the imagery, and the detail (Rather like looking at a painting, I guess)
The cast is almost exclusively female, as is the director, and this is clearly a deliberate and dedicated woman’s movie, in every sense. However, any man who actually likes women will have no problem being entertained and ultimately rewarded by giving this film a watch.
Naturally any kind of open love between two women of social status was never going to be a potential option in the 18th century, so how are these two going to reconcile the passion that emerges between them. This is the only plot device and jeopardy element. Not much to work with, but I felt that this was a statement by the producers to show that in the woman’s realm deep feelings go a longer way than plot twists and high dudgeon.
The acting is controlled and meaningful, the interior settings are explored to the point that you almost fill in the smells yourself, and the sequences at the beach linger long enough that you begin bracing yourself against the coastal winds. The high-point of the film is when the community of women gather on a cliff to associate, drink a bit, and sing a particularly haunting mantra-like song.
My all time favourite film (La Belle Noiseuse – Long version) also attempts to capture an artist busy in the process of painting a picture. It is not an easy thing to do on film. Naturally I believe my favourite movie does, but does this film achieve that too? Well, to a point, although, for me, the creation of the picture here is more a metaphor for the falling in love, than about the artistic pursuit as of itself.
Did I enjoy watching this film? Yes, I did, but a week later I am struggling to recall more that a few vivid moments or to reconnect with it on an emotional level.
A worthy film certainly, an important woman’s work for sure, but one to be more admired than ever relished.
Portret kobiecy w ogniu.
Flawless.
I am still in shock that France did not send this masterpiece to the Oscars. The snubbing of this film is unfortunate, but I hope this film can be the catalyst of the subsequent female-centric films to be recognised when deserved. Anyway, Im sure this film will go down as one of the classics of all time. Well probably forget most of the films of 2019/2020, but not this one.
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- plaza.rakuten.co.jp/dzumizuiki/diary/202005010000
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- https://nimaruijigroup.wordpress.com/2020/04/30/p-fung-bou-free-2019-year-mkv-yesmovies-gostream-online-now/
kintsuriba 